2016 조형아트서울 청작화랑 선정 초대작가 조국현

2016 조형아트서울

PLAS 2016

 

Greetings

전시기간 | Period

2016년 7월 20일 (수) - 7월 24일 (일)

 

전시장소 | Location

삼성역 코엑스 홀 D1, D2

@COEX HALL D1,D2

Add. 서울 강남구 영동대로 513 (삼성동 159)

(지하철 2호선 삼성역 또는 9호선 봉은사역에서 하차)

 

 

오픈식 | Opening

2016년 7월 20일 수요일 오후 5시

2016.7.20 17:00

 

관람시간 | Open & Close

오전 11시 ~ 오후 7시 30분

Am. 11 - pm. 7h 30m

 

관람료 | Admission Fee

성인 10000원 | 청소년 8000원

 

문의 | Contact

청작화랑: 02-549-3112

코엑스: 02-6000-0114

 

 

 

 

2016 조형아트서울 특별 전시

Special Exhibition

 

2016 조형아트서울 청작화랑 선정 추천작가

새로운 도약전 추상화가 조국현

 

Coexistence

GUKHYUN, CHO_Lyric Image - Communication with Writing

조국현_서정의 이미지-글과의 소통 Ⅱ

90.9 x 116.8cm(50F)_mixed media on canvas_2016

 

 

 

 

 

GUKHYUN, CHO_Lyric Image - Coexistence Ⅲ

조국현_서정의 이미지-공존Ⅲ

50 x 65.1cm(15P)_mixed media on canvas_2016

 

 

 

 

 

ARTIST NOTE

추상화가 조국현 | Abstract Artist GUKHYUN, CHO

 

서정의 이미지 - 공존

Lyric Image - Coexistence

 

마치 축제를 벌이듯 형이상학적 이미지들이 우주 위에서 춤을 추고 있다.

인간이 나고 자란 고향의 서정성이 인간 중심의 통념적 서정성이라면 내 작품의 서정은 시간을 거슬러 원시의 본질을 내재한 자연 그대로의 원초적 서정성을 포현하고 있다.

자연은 대립과 대립이 뒤엉켜 있는 것이 가장 자연스럽다.

태고의 불완전한 뒤엉킴 그리고 가장 찬연한 순간을 잡아내는 내 작품의 시간은 그래서 서정적이다.

설명되지 않는 무뚝뚝함의 근원에는 말이 필요 없었던, 몸짓과 색과 선으로 통용되던 서정적 시간이 살아있다.

 

 

Artist Profile

추상화가 조국현

Abstract Artist GUKHYUN, CHO

 

 

개인전 28회 [서울, 강원, 대구, 안산, 전주, 프랑스, 중국, 일본] / 1994~2016

2016.06.17~2016.06.19 제 28회 부스 개인전 [SICAF 국제공예아트페스티벌 / Setec / 서울 강남]

2016.05.22~2016.05.29 제 28회 부스 개인전 [KPAM 초대전 / 예술의 전당 / 서울 서초]

2015.10.29~2015.11.23 제 28회 개인전 [스칼라티움 갤러리 초대전 / 서울 강남] 외

 

주요 단체전 | Major Group Exhibition / 400th / 1982~2016

조형아트서울 청작화랑 선정작가 스페셜 초대전 [코엑스 / 서울 강남]

미국 히달고 보더페스트 한국의 해 선정 한국작가 초대전 [텍사스주 히달고 시립 아트뮤지움]

행복나눔 미술 대제전 [국가원로회의 문화위원회 / 충무아트홀 충무갤러리]

World Art Show 부스 2인전 [롯데호텔월드 사파이어블룸]

GIAF 광화문국제아트페어 광화문아트포럼 [세종문화회관]

렛츠런파크 서울 말박물관 초대 부부 그림전 [말박물관 전시관 / 경기 과천]

한국현대미술 북경 아트페스티벌 [ZHIGAO ART GALLERY]

상하이 국제엑스포기념 한중일현대미술전 [상해미술관]

U.S.A New Spirt of Korea Exhibition [Vision Art Hall - in U.S.A]

남북중국 대표작가 미술교류전 [단동 압록강 갤러리 - in China]

6th Friends 한일국제교류전 [우로와시 미술관 - in Japan]

한국, 터키 현대미술교류전 [미아르시난 대학교 - in Turkey]

한국 현대미술 뉴욕초대전 [Gallery LPKO in Newyork]

현대회화 러시아 초대전 [State Art Gallery in Russia]

청추전 300호전 [Ueno Gallery, Tokyo, in Japan]

캠브리지 미술관 개관초대전 [in Newyork]

현대회화 5인 초대전 [Noho Gallery, in Newyork]

MANIF 국제아트페어 [예술의 전당]

그랑에존느 오쥬리전 [Paris, France]

살롱 제리아전 [Paris, France]

뉴델리 국제아트 페스티발 [National Gallery, India]

일본 현전 [요꼬하마 교육회관, in Japan]

스트라스부르 아트페어 [Gallery안네 네뜨리대표, in France]

 

주요경력 | Major Judge & Committeeman Careers / 1982~2016

대한민국 미술대전 심사위원 및 운영위원 등 40여회

 

현 | Present

도시문화공공예술협회 회장

GIAF 광화문 국제아트페스티벌 운영위원

아트그룹 N.A 고문

송파미술가협회 고문

C.P. 010-9009-0160 / E-mail. cajme55@hanmail.net

Web Site. http://artistfamily.tistory.com/

 

 

 

청작화랑 선정작가

권의철 곽동준 김도훈 김아름

김재량 니나전 박동균 방은겸

서동억 신규항 윤경렬 이병훈

이용태 이준미 이진형 정명식

조국현 조덕래 차주만 최유진

최환성 캐리리 한승희 허지나

 

청작화랑

 

 

Artist Note: Gukhyun, CHO

Lyric Image - Coexistence

 

The Relations between Ardor and Lyricism

To express lyrical abstraction. The nuance of this work’s title controls our stereotype with the feeling of softness just like a short fiction called ‘a shower’ written by Hwang Soon Won. However, setting human’s lyrical feeling aside, what about the lyricism in the image of the Nature? Like ducks paddling idly on the surface of the lake and ducks’ feet struggling diligently in the lake, the passionate circulation of life and death are being continued in the peacefulness of the rural landscape that seems eternal.

 

The Nature of Notion

Very first of my work was not totally abstract like this. The works were different from the trend in expression and materials that show the entwined conception and abstraction. To clearly say, I insisted the world of work that can be understood by nonmainstream as well.

It was my total insistence like a cold semi-abstraction that reconstructed my own feelings on common topic, lyricism. After that, as I went through my personal exhibitions and making my own unique style of painting, the attempts that could be seen as modified of this work were being continued. Strong solid colors and softness of pastel tone are mixed, and finally seeking for modified lyricism has started.

When the lyrical image inside of notion meets notional musicality, it gives rise to another notion. The mixture of this kind of notional images became my working motive for a while and various attempts were made. However, I realized as an artist that the more I work on it, the more I get the growing pains.

 

Easing Mind

The restarted lyrical image, futilely, came after easing mind. Realized once more a tragic group of people that I watched too close. As I try to catch and translate, there are things getting more complicated and that is the fundamentals of the Nature circulation itself. Inside the peacefulness of the rural landscape I was seeing from a distance, the basic instinct that struggles with live and death continuously were cycling just like the ancient times.

Symbolic mark and gestures of not regulatable actions, languages are mingled. That is already a festival. My brushwork dances together on the beat of the Nature’s passionate rhythm just like it went back to primitive times. However, that is not a description of the chaos but the performance of dynamic instinct that is mingled inside of cosmic space.

 

Long for the remote ages

To stare at the space of pure-white. The sun rises and declines. Pick up the brush. The notional dot, line and face solidly take their places claiming own territories. The moment I closed my eyes and opened again, the work was already done.

The persistently trained hand expressed the images inside of notion. Although I sometimes let my hand flows to the call from the sense, that is even in the boundary of the change. The form becomes simpler and enables more complicated translation.

Like throwing a festival, metaphysical images are dancing on the universe. If the lyricism of human is based on conventional lyricism comes up with their youth and hometown, my work expresses the nature itself includes the essence of basic lyricism.

My work forces neither explanation nor understanding. Since the conflict harmony of them has been harassed continuously. However, it stops as the most fantastic moment with the acquisition of eternal time after the flowing sense by fingertip. The Nature is most natural when the conflict and conflict are harmoniously harassed. The harmony human says is just an expression of the anxiety about the unpredictable future.

The incomplete convolutedness of remote times and catching the most brilliant moment. That is why the time of my work is lyrical. At the root of unexplained brusquerie, there was no reason to say. The lyrical time is alive in the use of gesture, color and line.

 

 

 

ARTIST PROFILE

Abstract Artist GUKHYUN, CHO

 

GUKHYUN, CHO

The 28times Solo Exhibitions [Korea, China, Japan... ] / 1994~2016

 

The 400times Group Exhibitions

Korea Contemporary Art Invitational Exhibition in New York [Gallery IPKO]

Korea Japan Art World Exchange Exhibition

3 Generation Artist Family Exhibition [2014~2016]

Married Couple Artist Invitation Exhibition etc.

 

Major Judge & Committeeman Careers

Republic of Korea Art Competition Jury other 40times

 

Award

GUSANGJEON Art Competition Siver Prize & Special Choice 2times, Selections 3times

Korea Art Competition Special & Selections etc.

 

Art Works collections place

Cambridge Galleries

IpKo Gallery

Japan O Gallery

France Anne netri Gallery

Korea Shopping Media Coalition

 

Present

President of Urban Culture Public Art Association

GIAF Gwanghwamun International Art Festival Executive Committee

Cultural Arts Chairperson of Korean Fine Art Association

Advisory of Songpa Artist Association

Advisory of Art Group N.A

C.P. +82-10-10-9009-0160 | E-mail. cajme55@hanmail.net

Web Site: http://artistfamily.tistory.com/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Contact. cajme77@hanmail.net